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Discussions, 13th sept
Audience, Saul's book promotion
Brainstorming, 13th Sept
Chatting, 13th Sept
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John Ralston Saul delivers the Opening Speech at the 77th PEN International Congress in Belgrade
Audience, Saul's book promotion
Brainstorming, 13th Sept
Chatting, 13th Sept
John Ralston Saul delivers the Opening Speech at the 77th PEN International Congress in Belgrade
September 13, 2011
Thank you Serbian PEN! Thank you Vida and thank you to all of your members. You have organized a wonderful Congress. People who attend have no idea how much work is involved and how many hours are taken up that could have been used for writing. So, a very personal thank you from all of us who have come from other countries.......
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Yesterday, I was asked - quite rightly - what
difference does it make that writers from 89 PEN centres are gathered in
Belgrade. It is the right question.
The first answer is that this Congress is a
public expression of reconciliation. Of course, writers in the Balkans
have never stopped talking to each other. But, this Congress is a formal
evocation of the imagination of the Balkans.
Today, the leaders of 10 Balkan PEN centres sat
together on a stage and created the Balkans PEN International Network.
The founding members are Bosnian PEN, Bulgarian, Croatian, Kosovar,
Macedonian, Montenegrin, Romanian, Serbian, Slovenian and Turkish. This
is an historic event. It is a message to the world.
Second, the gathering of hundreds of writers
from around the world matters because it is a force for imagination and
transparency. Our charter is clear. We believe in unlimited freedom of
expression. But we also believe that no matter how controversial or
difficult our words are, the ultimate purpose is to bring people
together. The great Serbian Canadian writer, David Albahari, has rightly
written that “knowledge can never catch up with the power of
ignorance”. This is true. But the imagination can catch up. Imagination
can leap over ignorance. Let me give you an example: When a virtually
unknown radio journalist is killed in Mexico – the most dangerous place
in the world today to be a writer – they leave, in Ivo Andrić’s words,
“a memory clearer and more lasting than that of so many other more
important victims”.
This year our former President, Mario Vargas
Llosa, won the Nobel Prize for literature. And the founding president of
our Independent Chinese PEN Centre, Liu Xiaobo, won the Nobel Peace
Prize. Two men of courage. Two masters of the imagination. One of whom
remains unjustly in prison. And several of our centres were central to
what is called the Arab Spring. In some cases they are now a key part of
the rebuilding civil society in their country.
The core of what we do is this: imagination and
the transparency that imagination creates, and the acceptance of
complexity – all of this is above politics and below politics. It’s
everything except politics. In a society without this democracy of the mind
it becomes possible for lies to install themselves, as if they were
language. And as Danilo Kiš put it, “when everyone lies, no one lies”.
We are in the business of open memories,
memories that do not oppose people, one against the other. We represent
an open idea of how people can live together.
This is the 77th Congress. The
Congress in 1933 in Dubrovnik was organized by this Centre. It was a
complex, but historic moment for PEN. We were faced by the rising forces
of authoritarianism, even within our own centres. The divisions of
European society had become the divisions of PEN. Our President, a great
writer, H. G. Wells, but also an anti-Semite with confused public
views, found himself caught in an atmosphere of impossible divisions.
But, complex thought it was, Wells and the delegates found their way
through in order to stand with the imagination and transparency and
therefore against authoritarianism.
In 1933 we found an ethical shape - long before
governments took a stand. And at every PEN Congress since 1933, those
ethical standards stand before us as the measure of what we do. I like
to think that in leading with wisdom in Dubrovnik, Wells found his own
way to a personal understanding of PEN’s ethics. It was a noble moment
for him and for PEN.
There are always those who believe that writers
can be dragged away from their independence in the public place. And I
believe that the next few years will be difficult. There are many strong
and negative forces at work. But the meaning of PEN is simple. Our
central ethical force is the independence of our imagination and our
creativity. And we know what this means because for 90 years we have
defended that independence.
Hvala!
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